Poster Presentation 2

Thursday October 17th, 14:30 - 15:30

Salle Pierre Desnuelles

• SOS: Sonify Your Operating System.
  Andy M. Sarroff, Phillip Hermans and Sergey Bratus
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• Basing a Toolkit to Support Auditory Display Design on Soundtrack Composition.
  Doon Macdonald and Tony Stockman
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• Exploring the Usability of Sound Strategies for Guiding Task: Toward a Generalization of Sonification Design.
  Gaëtan Parseihian, Charles Gondre, Mitsuko Aramaki, Richard Kronland-Martinet and Sølvi Ystad
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• Influence of Auditory Pitch on Haptic Estimation of Spatial Height.
  Michele Geronazzo, Federico Avanzini and Massimo Grassi
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• Strategies for Mapping Control in Interactive Audiovisual Installations.
  Clayton Rosa Mamedes, Marcelo M. Wanderley, Jônatas Manzolli and Denise Hortência Lopes Garcia
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• Interactive Musical Partner: A Modular Human/Computer Duo Improvisation System.
  Jeffrey Albert
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• Hand Gesture Recognition in Mobile Devices: Enhancing The Musical Experience.
  Oriol Nieto and Dennis Shasha
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• T.A.S.T.E. Testing Auditory Solutions Towards the Improvement of the Tasting Experience.
  Felipe Reinoso Carvalho, Raymond Van Ee and Abdellah Touhafi
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• Improved Believability in Agent-Based Computer Musical Systems Designed to Study Music Evolution.
  Marcelo Gimenes
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• Design of a Customizable Timbre Space Synthesizer.
  Daniel Gómez, Rafael Vega and Carlos Arce-Lopera
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• Auditory and Visual Cues for Spatiotemporal Rhythm Reproduction.
  Justyna Maculewicz, Stefania Serafin and Lise Busk Kofoed
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• Following Tempo on an Exercising Bike With and Without Auditory Feedback.
  Justyna Maculewicz, Stefania Serafin and Lise Busk Kofoed
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• Expressivity as Time-Dependent Movement for Music Performance: A Statistical Exploration.
  Ioana M. Dalca, Bradley W. Vines, Marcus T. Pearce and Marcelo M. Wanderley
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• Analysis of Ambient Sound Indexing Methods in Sound Libraries.
  Jean-Michel Denizart
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• Comparative Analysis of Kurtosis and Negentropy Principles for Music Elements Separation using Independent Component Analysis.
  Rithesh Kumar Ravikumar and Mohanaprasad Kothandaraman
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• Cross Convolution of Live Audio Signals for Musical Applications.
  Lars Eri Myhre, Antoine Henning Bardoz, Sigurd Saue, Øyvind Brandtsegg and Jan Tro
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• Time-Span Tree Analyzer for Polyphonic Music.
  Masatoshi Hamanaka, Keiji Hirata and Satoshi Tojo
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• Multiple Instrument Tracking Based on Reconstruction Error, Pitch Continuity and Instrument Activity.
  Holger Kirchhoff, Simon Dixon and Anssi Klapuri
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• Vibrato Performance Style: A Case Study Comparing Erhu and Violin.
  Luwei Yang, Elaine Chew and Khalid Z. Rajab
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• Expandable String Representation for Music Features Using Adaptive-Size Alphabets.
  Simo Linkola, Lari Rasku and Teppo E. Ahonen
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• A Music Video Information Retrieval Approach to Artist Identification.
  Alexander Schindler and Andreas Rauber
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• Perception of Material and Shape of Impacted Everyday Objects.
  Camille-Eva Rakovec, Mitsuko Aramaki and Richard Kronland-Martinet
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• Event-Driven Interactive Solid Sound Synthesis.
  Charles Verron, Mitsuko Aramaki, Antoine Gonot, Thierry Scotti, Camille-Eva Rakovec, Arthur Mingasson and Richard Kronland-Martinet
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• Continuous Brightness Estimation (CoBE): Implementation and its Possible Applications.
  Giorgio Presti and Davide Andrea Mauro
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• Automatic Quality Assessment of Vocal and Instrumental Performances of Ninth-grade and Tenth-grade Pupils.
  Jakob Abeßer, Johannes Hasselhorn, Christian Dittmar, Andreas Lehmann and Sascha Grollmisch
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• It is Time to Face the Achilles' Heel of Computer Music Regarding Digital Works Preservation and Maintenance.
  Karim Barkati and Francis Rousseaux
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• Perceived Spatial Positioning of Self-Footstep Sounds in Three Surround Sound Speaker Setups for Immersive Virtual Reality.
  Erik Sikström, Niels Christian Nilsson, Rolf Nordahl, Amalia de Götzen and Stefania Serafin